Scubatooth:that last line makes no sense at all i saw so many canon L series lenses because of the 1Ds, hmm dont know how to break it to you but PJs dont use the 1ds most are using the 1D or in the case of the superbowl SI was using the 1D Mk11 becausethe buffer could do 8.5 fps for 40 frames.
also why is figuring out the focal length crop mental gymastics ? because just like tax i can calculate it on the fly you know like a 70-200 L IS with my 35 mm its those length and then on a 10D its 112mm-340, on a 1D (or mkII) series its 91mm-260mm
the people who use the 1Ds are portrait studio photographers or people who do landscapes, where as PJs need rapid advance drives and fast AF. and personally its not the gear that makes the photograph its the person holding it.
I am surprised you would make such a fuss over a single sub-model number. The point was, it's the resolution of the body that drives the lens choice for some.
Your point about the "person holding it" is of course true. A former colleague won NPPA photographer of the year with a disposable camera. It's all in the eye of the shooter, and being in the right place.
I don't know about you, but I compose by looking at the scene, and mentally cropping by my memory of what a lens does. I know what lens to use before I reach for it. The focal length factor mental-multiplication-thing is an extra step that I don't need. I suppose it will dissappear, with use, when I stop flopping between formats; it's just been burned in by 2 miles of film per year. Obviously this does not seem to affect you, so my hat's off to you.
Since your post piqued my interest, I made a few quick calls to all the shooters I used to work with. This covers 4 newspapers and a magazine now. They all shoot Nikon D2H's or D100's, with a few old D1X's and D1H's. They still use film for high-res assignments or for artsy stuff.
BTW, where did you purchase your Canon 1D MkII from? I cannot seem to find it available from any vendor and I'd love to get my hands on one to try.
All the best, James