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F3, those are gorgeous pictures, and interesting tutorial links, but I'm afraid you've lost me about what your point is. The Wikipedia link seems to make the point that chromatic distortion may be reduced by the addition of the right add-on lens (though it certainly may also be increased by adding the wrong one).
In any event, if you were replying to me, you seem to be saying that several things I didn't say are wrong. I don't for a moment doubt that Canon makes great lenses for its P&S cameras - that's why I bought a Canon P&S (not a Fuji - I'm sure they're fine, but I don't see anyone in this thread who's shooting with one). Also, you seem to imply that a higher pixel count is definitive for a camera's quality, an assertion that I would argue with. (If you were replying to someone else, I apologize for wasting your time, but, who were you talking to, and again, what was your point? What am I missing here?)
My point to ryan was that shooting with his Canon P&S, zoomed in to a really long focal length could overreach the lighting that was available underwater. That doesn't have much to do with chromatic aberration. If there isn't enough light, chromatic aberration won't be noticeable, or more precisely, the whole image will be underexposed enough so that fringing or other problems will be secondary.
- John